Only philosophers embark on this perilous expedition to the outermost reaches of language and existence. The song’s title comes from the novel Sophie’s World by Jostein Gaarder: The groundbreaking “Ladies and Gentlemen We Are Floating in Space” comes from the album of the same name, released in June 1997. I've been told "Only fools rush in," "Only fools rush in" But I don’t believe, I don’t believe I could still fall in love you I will love you 'til I die And I will love you all the time So please put your sweet hand in mine And float in space and drift in time All my time until I die We'll float in space, just you and I And I will love you 'til I die And I will love you all the time So please put your sweet hand in mine I've been told And float in space and drift in time "Only fools rush in,” "Only fools rush in" All my time until I die But I don’t believe, I don’t believe We'll float in space, just you and I I could still fall in love you Baby, I love you today, I guess that's what you get (I will love you 'til I die) And I don't know where we are all going to (And I will love you all the time) Life don't get stranger than this, it is what it is (So please put your sweet hand in mine) And I don't know where we are all going to (And float in space and drift in time) I will love you 'til I die And I will love you all the time Everything happens today, and we're out here to stay (All my time until I die) I've been told And I don't know where we are all going to (We'll float in space, just you and I) "Only fools rush in,” "Only fools rush in" Baby, I love you today, I guess that's what you get (And I will love you 'til I die) But I don’t believe, I don’t believe And I don't know where we are all going to (And I will love you all the time) I could still fall in love you
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And really great lyrics too, a lot of memorable lines that sit with me. I love how she sometimes sings in this way that leans almost into petulance, or into a sulky mode of feeling, that is an emotional colour you don't often hear in music, but that is really cathartic in this way. The dry, deadpan country backdrop works so well with the pathos and the drama of her voice, sets it off in this way where the pain hits right. I’ve been finding a lot of solace and wisdom in Jungian ideas lately and this record is the perfect accompaniment to that journey.Ĭountry is the perfect container for her enormous voice. Strong, interwoven melodies that always hint at British Isles folk while also having this deep groove and deep pocket and just a bit of psychedelia too. Beautiful, graceful music about ritual, survival, and resilience. I’ve been waiting a long time for a record like this from Isla Craig. It’s been a long time since I’ve enjoyed any guitar record so I was grateful to this one for reminding me. I love how Molly has perfected her voice into this ice pick of sardonic observation, disdain, and tenderness I never realized until this record how great the lyrics are and how many gems there are hidden in the reverb. It always flows and yet it’s always just jagged enough. You know the construction is there, you know the work underpins it, but you never feel it. I really respect that craft and those soaring, flawless melodies. That’s a lot harder than this band makes it look. THE WEATHER STATION'S TAMARA LINDEMAN - TOP 10 OF 2022 Supporting Excision on this tour will be the French drum and bass DJ team Dirtyphonics, and the Canadian glitch-hop guru Ill Gates. This technological audio video monstrosity is equipped with various sliding panels and pneumatics to hide lasers, fog machines, an extensively upgraded lighting system and more than a few surprises yet to be revealed. The Executioner is fully recharged and returning as Excision’s on-stage bass bunker, complete with brand new 3D visual animations displayed across its 420 square feet of surface area. This custom crafted stage production was specifically designed for Excision’s 3D video mapped visual sequences as he DJ’s both music and video live on stage. The 2014 tour also marks the return of the 28 foot wide, 15 foot tall mammoth video and lighting installation known as The Executioner. PK’s unique sound is capable of delivering insanely loud yet crystal clear audio to blast dance floors with room shaking bass in a way that bass music is ultimately designed to be felt as well as heard. He is stepping things up to a whole new level and bringing a monstrous 150,000 watts of PK sound, whose systems have become an integral part of Excision’s tour production. With an already phenomenal level of production at his disposal, believe he has gone even further. His 2014 tour will prove to be his most extensive and most immersive tour experience to date. His 2014 tour includes over 55 dates that will take him across North America through the end of April.Įmbracing an unyielding pursuit to push the boundaries of bass music, Excision is continually creating and re-imagining innovative uses of cutting edge technology to impact his fans, as well as the EDM community at large. Starting Wednesday, Januin Spokane, Washington Excision will hit the road only weeks after wrapping the final string of Destroid live shows for 2013. Press Release: Excision announces his massive 2014 tour. Stay up to date on upcoming public electronic dance music events in the Seattle area by following the EmeraldCityEDM Event Calendar. *Purchase tickets to events at the Paramount in person at the box office or at the 24hr ticket kiosk to avoid paying service fees) Purchase tickets – General Sale* (on sale )įacebook event page (USC Events) – coming soon Of course we’ll be bringing the Executioner setup and its 150,000 watts of PK Sound. The Executioner was last in Seattle at the Paramount Theater in February of 2012.Įxcision announced the tour dates via Facebook, stating that he “ Couldn’t be more excited to announce the next North American tour alongside Dirtyphonics and ill.Gates. Just announced: Excision will be bringing the “Executioner”, a 150,000 watt PK sound system with integrated video & lighting, back to the Paramount Theater on Friday, January 24th, 2014! Presented by USC Events and STG Presents, the tour will feature support by bass artists Dirtyphonics and ill.Gates. |
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